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<h1 class="firstHeading">Modèle:Bibliographie du cinéma</h1>
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<h3 id="siteSub">Un article de Wikipédia, l'encyclopédie libre.</h3>
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<h4><span class="editsection">[<a href="../../../../articles/b/i/b/Mod%C3%A8le%7EBibliographie_du_cin%C3%A9ma_a913.html" title="Modifier la section : En français">modifier</a>]</span> <span class="mw-headline">En français</span></h4>
<div style="margin-left:1.5em; font-size:91%">
<ul>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFAndr.C3.A9_Bazin1976">André Bazin, <i>Qu'est-ce que le cinéma ?</i>, Cerf, 1976 <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_2204024198_e028.html" class="internal">ISBN 2204024198</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFRoger_Boussinot1986">Roger Boussinot, <i>L'encyclopédie du cinéma</i>, Bordas, 31 août 1986 (réimpr. 1992), 1332 p. <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_2040106030_70b1.html" class="internal">ISBN 2040106030</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFRen.C3.A9_Pr.C3.A9dal1991">René Prédal, <i>Histoire du cinéma</i>, Cinémaction, 15 mai 1991 <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_2854808673_2727.html" class="internal">ISBN 2854808673</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFMarc_Ferro1993">Marc Ferro, <i>Cinéma et histoire</i>, Messagerie du Livre, 26 octobre 1993, 287 p. <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_2070328058_cf18.html" class="internal">ISBN 2070328058</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFMichel_Chion1995">Michel Chion, <i>La Musique au cinéma</i>, Fayard, 1 mai 1995, 475 p. <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_221359466X_8df3.html" class="internal">ISBN 221359466X</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFVincent_Pinel1996">Vincent Pinel, <i>Les métiers du cinéma</i>, Milan, 19 avril 1996, 63 p. <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_2841132617_fa7f.html" class="internal">ISBN 2841132617</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFVincent_Pinel1996_.281.C3.A8re_.C3.A9d..29">Vincent Pinel, <i>Dictionnaire technique du cinéma</i>, Nathan Université, 1996 (1ère éd.), 475 p. <small>(ISBN 2-09-190774-I)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFVincent_Amiel2001">Vincent Amiel, <i>Esthétique du montage</i>, Nathan, 1 mars 2001, 134 p. <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_2091909459_48d3.html" class="internal">ISBN 2091909459</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFJ.-L._Passek2001">J.-L. Passek, <i>Dictionnaire du cinéma</i>, Larousse, 19 octobre 2001, 865 p. <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_2035050316_6145.html" class="internal">ISBN 2035050316</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFEmmanuel_Siety2001">Emmanuel Siety, <i>Le plan, au commencement du cinéma</i>, Cahiers du cinéma, 20 octobre 2001, 94 p. <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_2866422910_1a3d.html" class="internal">ISBN 2866422910</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFJoelle_Farchy2004">Joelle Farchy, <i>L'Industrie du cinéma</i>, Presse Universitaire de France, 13 mai 2004, 128 p. <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_2130542999_7483.html" class="internal">ISBN 2130542999</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFJeremy_Vineyard2004">Jeremy Vineyard, <i>Les plans au cinéma : Les grands effets de cinéma que tout réalisateur doit connaître</i>, Eyrolles, 8 juillet 2004, 136 p. <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_2212114664_eac0.html" class="internal">ISBN 2212114664</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFJacques_Loiseleux2004">Jacques Loiseleux, <i>La Lumière en cinéma</i>, Cahiers du cinéma, 2 juillet 2004, 96 p. <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_2866423755_5c8b.html" class="internal">ISBN 2866423755</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFLaurent_Delmas.2C_Jean-Claude_Lamy_et_Gilles_Jacob2005">Laurent Delmas, Jean-Claude Lamy et Gilles Jacob, <i>Larousse du Cinéma</i>, Larousse, 13 octobre 2005, 335 p. <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_2035054397_c8d8.html" class="internal">ISBN 2035054397</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFMarie_Th.C3.A9r.C3.A8se_Journot2005">Marie Thérèse Journot, <i>Le vocabulaire du cinéma</i>, Armand Colin, 1 janvier 2005, 128 p. <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_2200341067_0169.html" class="internal">ISBN 2200341067</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFJean-Pierre_Fougea2005">Jean-Pierre Fougea, <i>Les outils de la production : Cinéma et télévision</i>, Dixit, 18 avril 2005, 272 p. <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_2844810977_36c1.html" class="internal">ISBN 2844810977</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFRapha.C3.ABlle_Moine2005">Raphaëlle Moine, <i>Les genres du cinéma</i>, Armand Collin, 30 juin 2005, 190 p. <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_2200341741_c027.html" class="internal">ISBN 2200341741</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFFrancesco_Casetti_et_Sophie_Saffi2005">Francesco Casetti et Sophie Saffi, <i>Les Théories du cinéma depuis 1945</i>, Armand Collin, 30 juin 2005, 374 p. <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_2200341814_cffb.html" class="internal">ISBN 2200341814</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFLaurent_Creton2005">Laurent Creton, <i>Economie du cinéma : Perspectives stratégiques</i>, Armand Collin, 30 juin 2005, 287 p. <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_2200341857_11ee.html" class="internal">ISBN 2200341857</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFThierry_Le_Nouvel2006">Thierry Le Nouvel, <i>Les techniques narratives du cinéma : Les 100 plus grands procédés que tout réalisateur doit connaître</i>, Eyrolles, 16 février 2006, 247 p. <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_2212117612_e733.html" class="internal">ISBN 2212117612</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFSteven_D_Katz_et_Bertrand_Perrotin2006">Steven D Katz et Bertrand Perrotin, <i>Mettre en scène pour le cinéma : Mouvements d'acteurs et de caméras</i>, Eyrolles, 16 février 2006, 281 p. <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_2212117728_5147.html" class="internal">ISBN 2212117728</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFJean-Luc_Godard2006">Jean-Luc Godard, <i>Histoire(s) du cinéma</i>, Gallimard, 28 avril 2006, 394 p. <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_2070779947_b46b.html" class="internal">ISBN 2070779947</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFVincent_Pinel2006">Vincent Pinel, <i>Genres et mouvements au cinéma</i>, Larousse, 22 mars 2006, 231 p. <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_2035826616_deb5.html" class="internal">ISBN 2035826616</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFJean-Fran.C3.A7ois_Camilleri2006">Jean-François Camilleri, <i>Le marketing du cinéma</i>, Dixit, 9 mai 2006, 223 p. <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_2844811124_41a5.html" class="internal">ISBN 2844811124</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFDominique_Chateau2006">Dominique Chateau, <i>Esthétique du cinéma</i>, Armand Collin, 6 juillet 2006, 127 p. <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_2200344821_9302.html" class="internal">ISBN 2200344821</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFLaurent_Jullier_et_Michel_Marie2007">Laurent Jullier et Michel Marie, <i>Lire les images de cinéma</i>, Larousse, 4 avril 2007, 239 p. <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_2035833280_481d.html" class="internal">ISBN 2035833280</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFEmmanuel_Ethis2007">Emmanuel Ethis, <i>Sociologie du cinéma et de ses publics</i>, Armand Colin, 29 août 2007, 127 p. <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_2200352123_5230.html" class="internal">ISBN 2200352123</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFJean-Pierre_Lavoignat2007">Jean-Pierre Lavoignat, <i>Studio : La légende du cinéma</i>, Albin Michel, 18 octobre 2007, 310 p. <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_2226152245_c0b4.html" class="internal">ISBN 2226152245</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFRen.C3.A9_Gardies_et_Michel_Marie2007">René Gardies et Michel Marie, <i>Comprendre le cinéma et les images</i>, Armand Collin, 5 septembre 2007, 308 p. <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_2200351496_7f9a.html" class="internal">ISBN 2200351496</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFAntoine_de_Baecque2008">Antoine de Baecque, <i>Histoire et cinéma</i>, Cahiers du cinéma, 7 février 2008, 95 p. <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_286642476X_1ffa.html" class="internal">ISBN 286642476X</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFDaniel_Banda_et_Jos.C3.A9_Moure2008">Daniel Banda et José Moure, <i>Le cinéma : naissance d'un art. 1895-1920</i>, Flammarion, Champs, mai 2008, 534 p. <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_9782081210110_07f4.html" class="internal">ISBN 9782081210110</a>)</small></cite></li>
</ul>
</div>
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<h4><span class="editsection">[<a href="../../../../articles/b/i/b/Mod%C3%A8le%7EBibliographie_du_cin%C3%A9ma_a913.html" title="Modifier la section : En anglais">modifier</a>]</span> <span class="mw-headline">En anglais</span></h4>
<div style="margin-left:1.5em; font-size:91%">
<ul>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFHenry_V._Hopwood1899">Henry V. Hopwood, <i>Living Pictures: Their History, Photo-Production and Practical Working. With a Digest of British Patents and Annotated Bibliography</i>, Londres, 1899</cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFDavid_S._Hulfish1911">David S. Hulfish, <i>Cyclopedia of Motion-Picture Work</i>, American Technical Society, Chicago, 1911</cite></li>
<li><span class="ouvrage" id="">Paul Schrader, <cite>« Notes on Film Noir »</cite>, dans <i>Film Comment</i> <small>(ISSN 0015-119X)</small>, 1972, Vol. 8, p. 8-13</span></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFAmos_Vogel1974">Amos Vogel, <i>Film as a Subversive Art</i>, Random House, New York, 1974 <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_0394490789_d31b.html" class="internal">ISBN 0394490789</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFFred_E._Basten1980">Fred E. Basten, <i>Glorious Technicolor: The movies' Magic Rainbow</i>, AS Barnes & Company, Cranbury, NJ, 1980 <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_0498023176_806c.html" class="internal">ISBN 0498023176</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFAlly_Acker1991">Ally Acker, <i>Reel Women: Pioneers of the Cinema, 1986 to the Present</i>, Continuum, New York, 1991 <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_0826404995_7e99.html" class="internal">ISBN 0826404995</a>)</small></cite></li>
<li>John Schultz et James Earl Jones. (1995). <a href="http://imdb.com/title/tt0256908/" class="external text" title="http://imdb.com/title/tt0256908/" rel="nofollow"><i>The Making of 'Jurassic Park'</i></a> [Documentaire]. Amblin Entertainment.</li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFTrish_Ledoux.2C_Doug_Ranney_.26_Fred_Patten1997">Trish Ledoux, Doug Ranney & Fred Patten, <i>Complete Anime Guide: Japanese Animation Film Directory and Resource Guide</i>, Tiger Mountain Press, Issaquah, WA, 1997 <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_0964954257_53bf.html" class="internal">ISBN 0964954257</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFJohn_Hill_.26_Pamela_Church_Gibson1998">John Hill & Pamela Church Gibson, <i>The Oxford Guide to Film Studies</i>, Oxford University Press, Oxford et New York, 1998 <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_0198711247_caee.html" class="internal">ISBN 0198711247</a>)</small></cite></li>
<li>Fred E. Basten, Peter Jones et Angela Lansbury. (1998). <a href="http://imdb.com/title/tt0274530/" class="external text" title="http://imdb.com/title/tt0274530/" rel="nofollow"><i>Glorious Technicolor</i></a> [Documentaire]. Turner Classic Movies.</li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFFrancesco_Casetti1999">Francesco Casetti, <i>Theories of Cinema, 1945 - 1995</i>, University of Texas Press, Austin, TX, 1999 <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_0292712073_c2fa.html" class="internal">ISBN 0292712073</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFGeoffrey_Nowell-Smith1999">Geoffrey Nowell-Smith, <i>The Oxford History of World Cinema</i>, Oxford University Press, Oxford, New York, 1999 <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_0198742428_252a.html" class="internal">ISBN 0198742428</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFGreg_Merritt2000">Greg Merritt, <i>Celluloid Mavericks: A History of American Independent Film</i>, Thunder's Mouth Press, New York, 2000 <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_1560252324_3f62.html" class="internal">ISBN 1560252324</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFVincent_F._Rocchio2000">Vincent F. Rocchio, <i>Reel Racism: Confronting Hollywood's Construction of Afro-American Culture</i>, Westview Press, Boulder, CO, 2000 <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_0813367107_efee.html" class="internal">ISBN 0813367107</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFMalte_Hagueney_.26_Michael_T.C3.B6terberg2002">Malte Hagueney & Michael Töterberg, <i>Film: An International Bibliography</i>, Metzler, Stuttgart, 2002 <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_3476015238_d40d.html" class="internal">ISBN 3476015238</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFGeoff_King2002">Geoff King, <i>New Hollywood Cinema: An Introduction</i>, Columbia University Press, New York, 2002 <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_0231127596_79d3.html" class="internal">ISBN 0231127596</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFMelissa_Thackway2003">Melissa Thackway, <i>Africa Shoots Back: Alternative Perspectives in Sub-Saharan Francophone African Film</i>, Indiana University Press, Boolmington, IL, 2003 <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_0852555768_f964.html" class="internal">ISBN 0852555768</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFLiz_Faber_et_Helen_Walters2003">Liz Faber et Helen Walters, <i>Anmation Unlimited: Innovative Short Films Since 1940</i>, Laurence King, Harper Design International, Londres, 2003 <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_1856693465_d341.html" class="internal">ISBN 1856693465</a>)</small></cite></li>
</ul>
</div>
<p><a name="En_espagnol" id="En_espagnol"></a></p>
<h4><span class="editsection">[<a href="../../../../articles/b/i/b/Mod%C3%A8le%7EBibliographie_du_cin%C3%A9ma_a913.html" title="Modifier la section : En espagnol">modifier</a>]</span> <span class="mw-headline">En espagnol</span></h4>
<div style="margin-left:1.5em; font-size:91%">
<ul>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFC._W._Ceram_et_Donato_Prunera1965">C. W. Ceram et Donato Prunera, <i>Arqueología del cine</i>, Destino, Barcelone, 1965</cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFAndrew_Dudley_et_Alsina_Thevenet1981">Andrew Dudley et Alsina Thevenet, <i>Las principales teorías cinematográficas</i>, Gustavo Gili, Barcelone, 1981</cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFNo.C3.ABl_Burch1987">Noël Burch, <i>El tragaluz del infinito: contribución a la genealogía del lenguaje cinematográfico</i>, Cátedra, Madrid, 1987 <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_843760642X_4c93.html" class="internal">ISBN 843760642X</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFRom.C3.A1n_Gubern1993">Román Gubern, <i>Historia del cine</i>, Lumen, Barcelone, 1993 <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_8426411797_1476.html" class="internal">ISBN 84-264-1179-7</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFValentin_Fernandez-Tubau1994">Valentin Fernandez-Tubau, <i>El cine en definiciones</i>, Ixia Llibres, Barcelone, 1994</cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFSantos_Zunzunegui_D.C3.ACez1994">Santos Zunzunegui Dìez, <i>Paisajes de la forma: Ejercicios de análisis de la imagen</i>, Càtedra, Madrid, 1994 <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_843761273X_a1db.html" class="internal">ISBN 843761273X</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFJacques_Aumont1995">Jacques Aumont, <i>Historia general del cine</i>, Cátedra, Madrid, 1995 <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_8437613698_03d9.html" class="internal">ISBN 8437613698</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFF._Fern.C3.A0ndez_D.C3.ACez_et_Mart.C3.ACnez_Abad.C3.ACa1997">F. Fernàndez Dìez et Martìnez Abadìa, <i>La dirección de producción para cine y televisión</i>, Paidós, Barcelone, 1997 <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_8475099726_62cf.html" class="internal">ISBN 8475099726</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFAndr.C3.A9_Bazin2001">André Bazin, <i>¿Qué es el cine?</i>, Rialp, Madrid, 2001</cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFJes.C3.BAs_Ramos_et_Joan_Marimon2003">Jesús Ramos et Joan Marimon, <i>Diccionario incompleto del guión audiovisual</i>, Océano, 2003</cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFChristian_Retamal2004">Christian Retamal, <i>Melancolía y modernidad</i>, Universidad Andrés Bello, 2004</cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFLinda_Seger_et_E._J._Whetmore2004">Linda Seger et E. J. Whetmore, <i>Cómo se hace una película: Del guión a la pantalla</i>, Ma non tropo, Teià, 2004 <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_8496222063_a6a1.html" class="internal">ISBN 8496222063</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFChristian_Retamal2005">Christian Retamal, <i>¿Por qué la vida no es en Cinemascope?</i> tiré de <i>El rapto de Europa</i>, Madrid, 2005</cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFLauro_Zavala2005">Lauro Zavala, <i>Cine clásico, moderno y posmoderno</i> tiré de <i>Razón y Palabra</i>, México, 2005</cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFJos.C3.A9_Luis_Sanchez_Noriega2006">José Luis Sanchez Noriega, <i>Historia del Cine. Teoría y géneros cinematográficos, fotografía y televisión</i>, Alianza, Madrid, 2006 <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_8420657921_54c4.html" class="internal">ISBN 84-206-5792-1</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFHenry_Giroux">Henry Giroux, <i>Cine y entretenimiento: Elementos para una crítica política del film</i>, Paidós</cite></li>
</ul>
</div>
<p><a name="En_allemand" id="En_allemand"></a></p>
<h4><span class="editsection">[<a href="../../../../articles/b/i/b/Mod%C3%A8le%7EBibliographie_du_cin%C3%A9ma_a913.html" title="Modifier la section : En allemand">modifier</a>]</span> <span class="mw-headline">En allemand</span></h4>
<div style="margin-left:1.5em; font-size:91%">
<ul>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFJ.C3.B6rg-Dieter_Kogel1990">Jörg-Dieter Kogel, <i>Europäische Filmkunst: Regisseure im Porträt</i>, Frankfurt am Main, Fischer, 1990 <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_3596244900_0842.html" class="internal">ISBN 3-596-24490-0</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFGeorg_Schmid1990">Georg Schmid, <i>Sublimieren und Verbildlichen. Die Ein-Bildungen des Kinos</i> tiré de <i>Die Spur und die Trasse</i>, Böhlau, Wien, 1990, 157 → 220 p. <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_3205051491_167e.html" class="internal">ISBN 3-205-05149-1</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFHerbert_Gehr1993">Herbert Gehr, <i>Sound & Vision: Musikvideo und Filmkunst; Ausstellung, Retrospektive, 16. Dezember 1993 - 3. April 1994</i>, Frankfurt am Main, Deutsches Filmmuseum Frankfurt am Main, 1993, 174 p. <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_3887990439_a623.html" class="internal">ISBN 3-88799-043-9</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFKevin_Brownlow1997">Kevin Brownlow, <i>Pioniere des Films. Vom Stummfilm bis Hollywood</i> tiré de <i>Schriftenreihe des Deutschen Filmmuseums Frankfurt am Main</i>, Basel und Frankfurt am Main, Stroemfeld, 1997 <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_3878773862_81fa.html" class="internal">ISBN 3-87877-386-2</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFJames_Monaco2000">James Monaco, <i>Film verstehen: Kunst, Technik, Sprache, Geschichte und Theorie des Films und der Medien. Mit einer Einführung in Multimedia</i>, Rowohlt, Reinbek bei Hamburg, 2000 <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_3499606577_470f.html" class="internal">ISBN 3-499-60657-7</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFAmos_Vogel2000">Amos Vogel, <i>Film als subversive Kunst</i>, Rowohlt, Reinbek bei Hamburg, 2000 <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_3499606607_9a0b.html" class="internal">ISBN 3-499606-60-7</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFMalte_Hagener_et_Michael_T.C3.B6teberg2002">Malte Hagener et Michael Töteberg, <i>Film - an international bibliography</i>, Metzler, Stuttgart, 2002 <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_3476015238_d40d.html" class="internal">ISBN 3-476-01523-8</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFThomas_Koebner2002">Thomas Koebner, <i>Reclams Sachlexikon des Films</i>, Stuttgart, Philipp Reclam jun, 2002 <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_3150104955_617d.html" class="internal">ISBN 3-15-010495-5</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFMichael_T.C3.B6teberg2005">Michael Töteberg, <i>Metzler Film Lexikon</i>, Metzler, Stuttgart, 2 août 2005 <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_3476020681_9ea1.html" class="internal">ISBN 3-476-02068-1</a>)</small></cite></li>
<li><cite style="font-style:normal" class="ouvrage" id="CITEREFGeoffrey_Nowell-Smith2006">Geoffrey Nowell-Smith, <i>Geschichte des internationalen Films</i>, Metzler, Stuttgart, 2006 <small>(<a href="../../../../articles/o/u/v/Special%7EOuvrages_de_r%C3%A9f%C3%A9rence_3476021645_fb27.html" class="internal">ISBN 3-476-02164-5</a>)</small></cite></li>
</ul>
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